The Clockwork Penguin

Daniel Binns is a media theorist and filmmaker tinkering with the weird edges of technology, storytelling, and screen culture. He is the author of Material Media-Making in the Digital Age and currently writes about posthuman poetics, glitchy machines, and speculative media worlds.

The snake charmer

Film theory via camera operators, this is amazing stuff from Anthony Bourdain’s man behind the lens.

Transfixed on this future-past, the operator’s mind is split between now and later. The Present is displaced by near-present. The operator filmed the event, but is left with a peculiar feeling of not fully being there. Something has been lost. What? The act of recording blocks an operator’s access to adirectly-experienced present. Life experienced through the lens is not the same as life without it. They are not fully here. The situation appears dangerous.

Some connections to a book I reviewed for Cinej Cinema Journal last year. Really, really interesting ways to start thinking through cinema in the age of the digital.


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