The Clockwork Penguin

Daniel Binns is a media theorist and filmmaker tinkering with the weird edges of technology, storytelling, and screen culture. He is the author of Material Media-Making in the Digital Age and currently writes about posthuman poetics, glitchy machines, and speculative media worlds.

Year: 2018

  • rolling

    Screen Shot 2018-04-22 at 4.54.32 pm.png

    It’s been ten years since I owned a bike. I started, as so many kids do, with a little BMX, then around my late teens I was gifted a refurbished hybrid to get about the backroads of the Hawkesbury hills. When I moved on campus, the hybrid became a handy mode of late-night transport between my 4×4 cell room and the computer labs (that had better internet, and printers).

    But given the lack of space available, the only place I could store the bike was lashed to a post outside my room. It wasn’t ideal, and it wasn’t too long before rust started to appear on some of the more delicate-looking bolts and parts. Before it progressed too far, I decided to throw it on ebay. Since saying goodbye and handing that bike over to some rando who frankly could’ve looked happier to acquire such a beloved machine, I’ve wanted another bike.

    Cue several years of stop-start savings, getting close only to have some life event empty the coffers, getting up there again, repeat ad infinitum. A couple of weeks ago, I finally got one: a mid-range cyclocross bike that handles road and trails with ease. It’s a joy to finally be out there again — it’s cliched but I really have missed that mixture of agony (uphill) and bliss (downhill). Melbourne is good place to have a bike, too, with a surfeit of dedicated paths and trails and bike lanes on most major arterials.

    Here’s to many happy spins henceforth.

  • downstream

    Screen Shot 2018-03-21 at 11.26.38 am
    Edie Brickell’s Good Times, one of two music videos that were included with Windows 95.

    The disc for the Windows 95 operating system shipped with two music videos: Edie Brickell’s Good Times and Weezer’s Buddy Holly. These two videos were included to demonstrate how much digital video technology had advanced. Squinting through the pixels today to attempt to discern the image, it’s a wonder anyone thought digital video worth developing beyond that point.

    One of Peter McKinnon’s latest videos demonstrates how you can bring a multicam setup into Premiere Pro and then edit between all cameras in real time. Vision switching has been a thing in live (and even recorded TV) for quite some time, but I find it crazy that processors can now handle real-time 4K video mixing.

    Twenty years is a long time, but it’s also no time at all.

  • dust to dust

    I’ve attended three memorial services this year. March isn’t over yet.

    Annihilation is one of my favourite books, and I can’t tell you why. It’s something about the way humanity is reduced to just its connection with the world around us, and done so simply, and only in words. Names, backgrounds, the trimmings with which we identify ourselves. None of it matters.

    Today’s memorial service was secular. It was a fitting and touching reminder of how life is about family, it’s about vitality, about making the most of every day. But it was primarily about the connections we form with each other, be they familial, be they long-lasting, be they fleeting.

    There is no real rhyme or reason to this post. Sometimes you are a member of the expedition, working your way through the unknown; sometimes you are Area X itself, all-knowing, but also uncaring. Sometimes you want answers; sometimes you want to just give in, let go, and be.

  • scopeX

    video experiment…

    [youtube https://www.youtube.com/watch?v=KD79cCD9f1Q]

    part of research, I guess?

    It’s a process.

     

  • The Adrian Miles Reading List

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    I and many others in the RMIT community are struggling to find ways to deal with the loss of our dear colleague and friend Adrian Miles. Adrian had a profound impact on me in a very short space of time. My current book project has a foundation in many of the challenging ideas he threw at me; so much so that picking up work on it again will be tough.

    Finding words is something Adrian never struggled with. I thought I’d collate some of the hundreds upon thousands he foisted on colleagues, students, and friends. Suggestions welcome in the comments: I’ll update the post with any additions.

    If you’re wondering how best to remember Adrian, maybe pick up one of the following, or take 25 minutes’ silence, with a 5-minute break.

     


     

    Bogost, Ian. (2012). Alien Phenomenology, or What it’s Like to be a Thing. University of Minnesota Press.

    Ingold, Tim. (2011). “Rethinking the Animate, Reanimating Thought.” Being Alive: Essays on Movement, Knowledge and Description. Routledge.

    Latour, Bruno. (1987). Science in Action: How to Follow Scientists and Engineers Through Society. Harvard University Press.

    Pickering, Andrew. (1995). The Mangle of Practice: Time, Agency, and Science. University Of Chicago Press.

    Stewart, Kathleen. “Atmospheric Attunements.” Environment and Planning D: Society and Space 29 (2011): 445–453.

    Vannini, Phillip. (2015). Non-Representational Methodologies: Re-Envisioning Research. Routledge.

Her language contains elements from Aeolic vernacular and poetic tradition, with traces of epic vocabulary familiar to readers of Homer. She has the ability to judge critically her own ecstasies and grief, and her emotions lose nothing of their force by being recollected in tranquillity.

Marble statue of Sappho on side profile.

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