The Clockwork Penguin

Daniel Binns is a media theorist and filmmaker tinkering with the weird edges of technology, storytelling, and screen culture. He is the author of Material Media-Making in the Digital Age and currently writes about posthuman poetics, glitchy machines, and speculative media worlds.

Category: Books

  • Orbital mechanics

    “A MIND is a sort of star-chart in reverse: an assembly of memory, conditioned response, and past action held together in a network of electricity and endocrine signaling, rendered down to a single moving point of consciousness.”

    Arkady Martine, A Memory Called Empire

    I’m a little way in to A Desolation Called Peace, the second and final (I think!) part in Arkady Martine’s duology that began with A Memory Called Empire. Incidentally, I was reading the first book around the same time last year. It was the first fiction book I’d read in some time, and I was finding it difficult to get through.

    There are all sorts of reasons this can be true of any reading experience, but after getting through three other books in record time at the beginning of the year, I’ve slowed down once again for Desolation. It’s an odd sensation, like the mental equivalent of slogging through wet sand.

    This has nothing to do with the plot of the novel, which is multi-layered and surprising; nor the characters, most of whom are wonderfully idiosyncratic, deep and engaging; nor Martine’s writing, which is lyrical and free and so alive, a tiny diamond glittering in what is often a staid and immovable boulder of a genre.

    I think it has more to do with where I am meeting this book, this series, this writing. Like near everyone on the planet, I’ve had a Big Few Years(tm). Throw multiple health issues into the mix, add a dose of grief, your basic burnout, and you’ve got a lovely thick batter to play with. I don’t think that’s necessarily it, though. It’s just where I am, what I’m doing, the byways and backstreets around which my thoughts often careen.

    Martine’s writing feels like a foil for my current state of mind; a fitting opposite; yin to yang; boy I’m really stretching the old metaphors this time aren’t I.

    Sometimes it’s not up to the reader as to how long something takes to read. Sometimes it just takes as long as it takes. It might be a page or two here and there; it might be a hundred pages in a sitting.

    At a time when everything feels accelerated, truncated, made more homogenous and shallow, where the maxim is more, more, more, but never deeper, never stopping, never allowing thoughts to wander, connections to be made, boredom to set in… at a time like this, it’s nice to meet a thing, a story, that literally stops me in my tracks.

  • Interview with Intellect Books

    In the chaos of 2020 I didn’t post this, but here’s a chat I had with the lovely James from Intellect Books. Mostly we chat about war and cinema (my first book The Hollywood War Film was published by Intellect in 2017), but there’s a small nod at the end of the conversation to Material Media-Making.

    We also spent a little time talking about publishing your first book, writing the proposal etc.

    Part 1

    Part 2

  • Gone Girl

    GoneGirlAmy

    What are you thinking? What are you feeling? What have we done to each other? What will we do?

    About a month ago, I smashed through Gillian Flynn’s Gone Girl in a few days. I came away from the book feeling dirty: sullied somehow. My first words to my partner were, “I think I need a shower.” It’s hard to define why this is. I enjoyed reading the book. I was hooked the entire time, utterly engrossed in this deep character study of two seriously messed up people. The book was very well-written, a literary thriller of the first degree, and mesmerising in its wit and structure. The book was funny, at times, too. (more…)

Her language contains elements from Aeolic vernacular and poetic tradition, with traces of epic vocabulary familiar to readers of Homer. She has the ability to judge critically her own ecstasies and grief, and her emotions lose nothing of their force by being recollected in tranquillity.

Marble statue of Sappho on side profile.

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