The Clockwork Penguin

Daniel Binns is a media theorist and filmmaker tinkering with the weird edges of technology, storytelling, and screen culture. He is the author of Material Media-Making in the Digital Age and currently writes about posthuman poetics, glitchy machines, and speculative media worlds.

Category: Research

  • Material Media-Making is out (digitally) now

    The digital (PDF/EPUB) version of my new book Material Media-Making in the Digital Age is available now! Head to the Intellect site to purchase (or tell your institution’s library to do so!).

    Exciting!

    The cover of Material Media-Making in the Digital Age.

    From the blurb:

    “How might one craft a personal media-making practice that is thoughtful and considerate of the tools and materials at one’s disposal? This is the core question of this original new book. Exploring a number of media-making tools and processes like drones and vlogging, as well as thinking through time, editing, sound, and the stream, Binns looks out over the current media landscape in order to understand his own media practice.”

  • Come sail away

    It’s been over a year since I worked on the weekend. Since some pretty severe burnout I’ve had to make sure that weekends and most weeknights are kept free, though sometimes the latter is unavoidable.

    But this weekend, between a full and crazy week last week, and an equally insane three days from tomorrow (Monday), I literally ran out of time to get everything done.

    I would now never advocate for weekend work, but occasionally – very occasionally – the grind can have its satisfactions. Particularly if it’s a typically grey and awful Melbourne day outside.

    The task I ran out of time to complete was a paper I’m delivering at a symposium tomorrow. To be fair, I think I’d be forgiven for running out of time, given I organised the symposium, but I really did want something semi-decent to present.

    I’ve basically kicked off conference season myself; after this talk, I have another 2-3 to prepare for late November/early December. But I think I’m being strategic here: with 4ish papers done, I can then work to convert one or two into full articles/chapters next year.

    The RMS Publish or Perish sails on…

  • Inhuman Screens

    40007774_10156060429249086_3856612823417225216_o.jpg

    I am thrilled to announce that I’ve been invited to present at the inaugural Inhuman Screens conference, convened in conjunction with Sydney Underground Film Festival.

    I’ll be presenting my research on drones and cinematography. This work considers the embodied experience of flying a drone, and some of the philosophical/existential questions that experience raises, as well as how drone shots might be brought into the language of film distinctly from other aerial footage.

    All speakers, keynotes and primary stream, comprise many of my film theory faves, so I look forward mostly to getting my presentation over and done with, and simply basking in the awesome to follow.

    Tickets available at the Inhuman Screens website.

  • the daily DAN

     

    A week ago, I posted this on Twitter. Must’ve been something of a shock to my Twitter followers, as I haven’t really used that social platform in quite some time.

    The push to take up this challenge came partly from current research — I’m looking into Casey Neistat’s vlog practice for an article — but also partly from a need to kickstart my own creative practice. The short film we shot in July last year has sat pretty well dormant in post-production for over a year, and I’d barely touched any kind of creative software during that time.

    I needed to get back into shooting, back into editing, back into writing, to get myself back up to speed with both the gear, the software, and with my own creativity.

    The video-a-day thing hasn’t worked: I don’t think it trucks too well with a full-time job, relationships, family and such, but I’ve done five thus far, and fully intend to keep going, shooting and cutting whenever I can, until I reach the promised fourteen videos.

    It’s been enormous fun: sometimes shooting new stuff, sometimes delving into the archives, always cutting something new, something fresh. Recording voiceover and featuring myself in the videos is not easy: as much as the challenge emerged from analysing vloggers, I don’t really want to be the main focus. That said, I received some feedback that the voiceover would lend itself well to a video essay, which may well be one of the videos to come.

    Creativity begets creativity

    On Monday, a few days into the challenge, I opened Final Draft for the first time in a year and smashed out the first draft of a short film I’ve been thinking about for a long time. And I think a few colleagues and I are going to shoot it — quick’n’dirty style — late next week, so expect an upcoming video to be something of a behind the scenes.

    The producer of last year’s film and I are also spending three hours in an edit suite tomorrow, to finish off this damn short. Nothing like time pressure.

    Don’t sweat it

    Perfection is overrated. I think this is a lesson from Casey. But I’m learning to not kill myself over the edits, over colour correction, over getting the timing or the music just right. Do it quick, get it done — the satisfaction of a completed video far outweighs the hours you may have spent to get things perfect.

    More reflections, hopefully to follow, but for now, here’s the playlist…

    [youtube https://www.youtube.com/watch?v=Qh63ybFBK-I]

  • scopeX

    video experiment…

    [youtube https://www.youtube.com/watch?v=KD79cCD9f1Q]

    part of research, I guess?

    It’s a process.