The Clockwork Penguin

Daniel Binns is a media theorist and filmmaker tinkering with the weird edges of technology, storytelling, and screen culture. He is the author of Material Media-Making in the Digital Age and currently writes about posthuman poetics, glitchy machines, and speculative media worlds.

Category: Research

  • New things

    A big couple of months, hence the lack of updates. I’ve taken up a new position as Lecturer in Media at RMIT University. Yes, RMIT in Melbourne. I’m now, once more, a Victorian. The move has been tough, but it’s great to be back down here surrounded by family and friends and much decent coffee.

    The new job is shaping up well, and is sucking most of my hours, particularly in terms of catching up on research. I’m still in the process of editing the PhD for publication, and will have finished another two publications by the time I start teaching proper in early March.

    Things bode well, and I’ll keep this updated as often as possible, particularly with notes on research, more war films, games, and so on.

  • Hit/Miss: Evolving Narratives and the Semiotics of the Blockbuster

    BShipBlog

    The high-budget, visual-effects-laden Hollywood blockbuster film is among the most popular entertainments of the modern era. While viewing practices continue to change and evolve, the major studios still push out some twenty or thirty films each year with budgets exceeding US$10 million. The blockbuster film is often pushed to the boundaries of film studies as populist escapism. This paper seeks to position the blockbuster film as the ideal indicator of cinematic trends, demonstrating that these films are changing the very nature of narrative. (more…)