The Clockwork Penguin

Daniel Binns is a media theorist and filmmaker tinkering with the weird edges of technology, storytelling, and screen culture. He is the author of Material Media-Making in the Digital Age and currently writes about posthuman poetics, glitchy machines, and speculative media worlds.

Category: Tech

  • Operation Tech Revival, Part 2

    Read Part 1 here.

    Photo by Alessandro Oliverio on Pexels.com

    Part 2: Mmm, Pi.

    A few years back I bought a Raspberry Pi 3B+, with the intention of using it as a safe little sandbox for learning to code. I thought maybe I would buy up some components and make little robots or something, maybe a web server or the like. Who knows, one day I may still do all of these things (and/or continue learning Python, which I abandoned at about the Functions mark).

    The Pi was a fun little thing to boot up every now and again when my primary computer became too slow/overwhelmed through lockdowns, or when I became overwhelmed by to-do’s, notifications, projects, etc, on my work machine. It really only has enough juice to run a web browser with one or two tabs, or LibreOffice Writer for basic word processing/drafting.

    But I never really considered how the Pi might fit into my overall tech set-up, or whether it might actually be suitable as a regular machine at all.

    I’ve always been intrigued by people returning to simpler modes of engaging with tech, particularly those in knowledge work where plenty of writing or focus time is required. Devices like the Freewrite, the AlphaSmart, the ReMarkable, all speak to a desire for writing with less bells and whistles, less , more focus and control over your ‘machinespace’, if not your actual space or environment.

    Cue late last year and early this year, where I started thinking more seriously about writing more regularly, particularly for this here blog. Cue also the aforementioned death of the Mac, and desire to revive some old tech, and maybe the Pi is just the right (write?) minimalist tool for the job. With an internet connection and basic desktop functions it’s not exactly a ‘dumb’ device, but I figured it might be a nice restricted environment to get some words pumped out.

    Booting it up again, there was the old OS, Raspbian, a basic standard desktop wallpaper, and a Documents folder festooned with abandoned coding practice files. I figured starting from scratch might be a good idea. I won’t bore you with the details, but suffice to say sorting out which version of the new Raspberry Pi OS would work best on an older model of Pi was… taxing. Between the Pi and the Macbook I do want to be able to use at least some of my main apps/tools etc, including Obsidian, but finding a version of such programs that are compatible with both older hardware and older systems is fairly painful.

    Whenever I plug into ethernet, I feel like I’m going into lightspeed.

    For now, I’m running 32-bit Raspberry Pi OS. There’s no Obsidian (that may have to remain on the work laptop/iOS devices depending on how the 2011 Macbook goes), but I’ve got a basic version of LibreOffice up and running for docs, presentations, spreadsheets. The process really inspired me to try and get back into Python, if only to build up a working knowledge of it over the rest of this year. While more complex projects may function better on one of the bigger machines, I can at least use the Pi as a dedicated coding tool for now. Depending on how it all goes, I may end up trying some of those robotics or server projects I was daydreaming about.

    “Get outta my dreams; Get into my car…”

    I’m running this bad boy with the top down. Do Pi people say ‘with the top down’? I don’t really care, to be honest. I just mean I took the lid off because the poor little thing got quite hot, what with being wiped and reloaded 3-4 times over the course of a few hours. For shits and gigs, I also love hooking the Pi up to my enormous 4K monitor; pretty remarkable that this tiny little box can project to a display so huge with decent resolution.

    Once again, precisely how it fits into my workflows, processes, projects, let alone how it could remain semi-permanently in or on the physical workspace, remains to be seen. It was fun, though, to get it back to zero, to a place where I can answer some of those questions as I move forward.

    Speaking of moving forward, the doorbell just rang; I think a solid state hard drive just arrived. Which means the Pi is done for now… next up, the Macbook…

  • Operation Tech Revival, Part 1

    Image generated by Leonardo AI, prompt by me.

    Part 1: A little history, a soupçon of memories

    I had planned this week to post something very different, but in light of the way my week has panned out, I’m feeling all of the following much more keenly, particularly in the wake of some of my rants about social media and platforms and such like.
     
    My primary computer, for nearly ten years, was a 2014 Mac with Retina display. It was a beautiful beast, and served me very well, particularly through lockdowns when there were some issues getting an external monitor for my work laptop. Come early 2023, though, it was showing signs of wear and tear. I didn’t really want to fork out for a new machine when I had a perfectly good laptop from work, so I let it go out to pasture (the Apple Store).
     
    After some time off work last year, though, I wanted to put some effort into separating personal files from my work stuff. Up until this point, I had used a cloud service for everything, without a backup (shock horror). I do realise that somehow physically separating out machines and hard drives for work and non-work is fairly redundant in this age of clouds, but doing the actual labour of downloading from the cloud service, then separating out folders onto hard drives, machines, then backing everything up appropriately, was not a little therapeutic.
     
    Having carved out the workspace on the newer Macbook, I was left wondering what to do for a personal machine. There is always, obviously, the desire to rush out and drop a great deal of money on the latest model, but for various reasons, this is not currently a possibility for me. Aside from that, I’m surrounded by old tech, left in cupboards, not yet eBayed or traded in or taken away for recycling. I am aware and conscious enough of the horrific impact of e-waste, and with my recent interests in a smaller, more intimate, cosy, sustainable internet, I thought that maybe this would be a chance to put my money where my mouth is. If you can’t be with the sleek new tech you love, honey, love the slightly chunkier, dustier tech you’re with.
     
    Plus, I’ve always loved the idea of tinkering with tech, even if I’ve never actually done anything like this properly. My plans aren’t unachievable nor overly ambitious; I have two computers, broadly defined, that I hope to revive and use in tandem as a kind of compound personal machine. The first of these is a Raspberry Pi 3B+, the second a mid-late 2011 model Macbook Pro: the last Macbook I owned that wasn’t a work device.
     
    Come along with me, won’t you, on this journey of learning and self-discovery? Coming tomorrow (or at least in the coming days)… Part 2: Mmm, Pi.

  • Swings X Roundabouts

    Remember the good old days of social media, when we’d all sit around laughing at a Good Tweet™? Me either. Actually, that was never a thing. Photo by Anna Shvets on Pexels.

    Originally I was going to post some condensed form of this to socials, but I thought some may be interested in an extended ramble and/or the workflows involved.

    I deleted my Twitter last year in a mild fit of ethical superiority. I’d been on the platform some 14 years at that point. At first, I delighted in the novelty of microblogging; short little bursts of thought that people could read through, respond to, re-post themselves. But then, as is now de rigueur for all platforms, things changed. Even before Elon took over, the app started tweaking little bits and pieces, changing the way information was presented, prioritised, and delivered. Come the mid-2010s, it just wasn’t the same any more; by that stage, though, so many people that I knew and/or needed to know of, were using the app. It became something I checked weekly, like all my other social network pages, some blogs, etc. One more feed.

    Elon’s takeover, though, seemed like a fitting exit point. Many others felt the same way. I kind of rushed the breakaway, though; I did download all my data, thank the maker, but in terms of flagging the move with people who followed me for various reasons (personal, professional, tracking related declines, etc), I just… didn’t. I set up a Mastodon on the PKM instance, because that was a nice community that I’d found myself in as a positive byproduct of a rather all-encompassing obsession with productivity, life organisation, and information retention/recycling. I’m still on the ‘don (or Masta, per your preference), though I’ve shifted to the main mastodon.social instance to make automation and re-posting easier.

    Anyway, to cut to the quick, I rebooted the ol’ Twitter/X/Elon.com account in the last couple of months just to keep track of people who’ve not yet shifted elsewhere.1 What I didn’t manage to do before I shut it down last year, though, was to export/keep record of those 700 odd people I was following, nor did I just transfer them over to Mastodon, which tools like Movetodon allow you to do pretty seamlessly.

    Thankfully, buried in the data export was a JavaScript file called “following.js”, which contained IDs and URLs for all the Twitter accounts I’d originally followed. Bear in mind, though, not the Twitter usernames, e.g. @NY152 or @Shopgirl, but rather the ID number that Twitter creates as a stable reference for each user. The user IDs and URLs were also surrounded by all the JavaScript guff2 used to display the info in a readable form:

    {
        "following": {
            "accountId": "123456",
            "userLink": "https://twitter.com/intent/user?user_id=123456"
        }
    },
    {
        "following": {
            "accountId": "789012",
            "userLink": "https://twitter.com/intent/user?user_id=789012"
        }
    },
    {
        "following": {
            "accountId": "345678",
            "userLink": "https://twitter.com/intent/user?user_id=345678"
        }
    },

    I have a rudimentary grasp of very basic Python, but JavaScript remains beyond me, so I used the wonderful TextBuddy to remove everything but the URLs, then saved this as a text file. Though string manipulation is a wonderful process, unfortunately the checking of each account remains up to me.

    So whenever I have a spare hour, I’ve been sitting down at the computer and copying and pasting a bunch of URLs into the “Open Multiple URLs” Chrome extension. It’s tedious work, obviously. But it’s been really interesting to see a, who is inactive on Twitter and for how long they’ve been so; b, who’s switched to private since Elon or before; c, who’s moved to Masta or elsewhere; and d, who’s still active and how so. It’s also just a great chance to filter out all the rubbish accounts I followed over those fourteen years!

    In general terms, anyone with any level of tech knowledge or broad online following has shifted almost entirely to different services, maybe leaving up a link or a pinned post to catch any stray visitors. Probably around 40-50% of them are still active in some way; be that sharing work or thoughts with an established audience, or staying in touch with communities.3 Several of the URLs have hit 404s, which means that user has just deleted their X account entirely; good for you, even though I have no idea who you are/were!

    As I develop my thoughts around platforms, algorithms, culture, and so on, reflecting on my own platform use, tech setup, and engagements with data is becoming more than just a hobby; it’s forming a core part of the process. I’ve always struggled to rationalise the counting of my creative work and my personal interests/hobbies with my academic interests. But I think that from now on I just have to accept that there will always be overlap, particularly if I’m to do anything with these ideas, be it write a screenplay or a book, a bunch of blog posts, or anything academical.4

    Notes

    1. I also really like that I locked down the @binnsy username before anyone else got to it; there are plenty of Binnses even just in my family who use that nickname! ↩︎
    2. Guff is the technical term, obviously. ↩︎
    3. This is obviously prevalent in my field of academia, where so many supportive communities have been established over long periods of time, e.g. #PhDchat etc etc. I realised after I deleted my account that even though I don’t participate anywhere near like I used to, these are such valuable spaces when I do log on, and obviously for countless others. You don’t and can’t just throw that shit away. ↩︎
    4. You heard me. ↩︎

  • Push the button for a sweet treat

    I had grand plans of posting something about Godzilla today, but that will have to wait for these delightful rats. These tiny furry folx learned to associate pushing a little button with getting a sugar treat. As time progressed, though, they ended up just pushing the button for fun.

    The results are about as delightful as you’d expect.

    The project was led by French photographer Augustin Lignier, whose work explores the technography and performativity of photography. I came across the work due to the mighty Kottke, who quotes a New York Times piece where Lignier considers that the rats’ continued button-mashing as a neat analog for our addiction to social media.

    As platforms morph, shrink, converge, collapse all over the internet, one begins to wonder what the web of the imminent future might look like. While I did mention grassroots movements and community-run services like Neocities in my last post, the network effects that platforms like Substack, X, hell, even WordPress right here, can offer, are often more tempting than a cutesy throwback. That is to say nothing of the ease with which said platforms integrate with other services to maximise attention on their users.

    Substack and X are feeling the squeeze of the real world to greater and lesser degrees; the former as a safe space for Nazis, the latter as a haven for AI-generated deepfakes. But where one platform collapses, another will happily take its place, unless we all decide to opt out together.

    The internet of the future will be several interweaved different platforms, modes, nodes, devices, personalities, and communities. In a way it has always been so, but with its sheer ubiquity, the way it layers over and enfolds so many aspects of existence, thinking ‘the internet’ (or even ‘the Internet’, as autocorrect seemed to cling to forever) as a monolith is now a waste of time.

  • The handmade internet

    A fragment from random notes over the last few days, weeks…

    There seems to be a return to an idea, philosophy, or practice of “just make stuff!” or “just do it!”; “just write something, ffs!” (Maybe that last one is more for me…)

    I noticed this most recently with Rick Rubin’s odd but intriguing Squarespace tie-in promo for his book; he’s seeking to spawn or to gather online folx who are just doing cool, interesting, intriguing stuff. At least that’s how I saw it in my cursory glance over the copy:

    A collaboration with Rick Rubin to build tetragrammaton – an online world of curated materials – and a new website design, Transmission, to inspire your creativity.

    From “Co _ Rick Rubin“, Squarespace, accessed January 22, 2024 (archived).

    It’s all a bit corporate, a bit woowoo, a bit odd, but it plugs into a broader conversation about how the internet has evolved and changed, how platforms have scorched much of the landscape that was previously a bit rougher around the edges, a bit more grassroots, more personal, more creative, perhaps.

    There are other offshoots of this movement, like tiny-internets, and lovely lite micro-blogging services like bearblog and Plume, even Neocities. Larger companies like Automattic, for all their faults, are (at least at a surface, front facing level), trying to champion this kind of crazy, personalised, creative internet.

    Whether this is a return to the internet of old, or a new evolution entirely, remains to be seen.