The Clockwork Penguin

Daniel Binns is a media theorist and filmmaker tinkering with the weird edges of technology, storytelling, and screen culture. He is the author of Material Media-Making in the Digital Age and currently writes about posthuman poetics, glitchy machines, and speculative media worlds.



The Archives

  • Editing

    Rough cut. Draft cut. Polish. Proof render. Final cut. *crack beer* … Changes arrive. Final cut V2. Final cut V3. Export for web.

    continue …

  • Cinemaaaah, cont’d

    I’ve been doing my best to take notes on as many films as I can, but for now I’ll just compile a list of those…

    continue …

  • Destiny breaks many indie records

    I’ve been spending the odd hour or two mucking around with Bungie’s latest reasonably small indie game Destiny*. In a combined play time of about 4-5…

    continue …

  • Abbott government axes community TV

    The Federal Communications Minister, Malcolm Turnbull, has announced today that licences for community television will not be renewed in 2016. This means all community television…

    continue …

  • Michel Chion on film analysis

    “The right way to work on a film – to avoid too closed an interpretation – seems to me to be to watch it several…

    continue …