The Clockwork Penguin

Daniel Binns is a media theorist and filmmaker tinkering with the weird edges of technology, storytelling, and screen culture. He is the author of Material Media-Making in the Digital Age and currently writes about posthuman poetics, glitchy machines, and speculative media worlds.



The Archives

  • Welles and the frame

    Suffice to say that Orson Welles taught me all I ever needed to know about framing*. Happy 100th, old friend. * for ‘framing’, read ‘all…

    continue …

  • The snake charmer

    Film theory via camera operators, this is amazing stuff from Anthony Bourdain’s man behind the lens. Transfixed on this future-past, the operator’s mind is split between…

    continue …

  • Writing

    I haven’t written for a very long time. That seems a strange thing to say, given that I bill myself as a ‘writer, producer, and…

    continue …

  • Re-framing the frame

    ‘Framing is a position of thinking.’ – Daniel Frampton, Filmosophy, p. 125. As previously alluded to, I’m in the very strange process of having to think…

    continue …

  • 7 February 2010

    Thoughts from the elder Moleskine: ‘When I was a child, I thought as a child acted as a child, spoke as a child… but when…

    continue …