The Clockwork Penguin

Daniel Binns is a media theorist and filmmaker tinkering with the weird edges of technology, storytelling, and screen culture. He is the author of Material Media-Making in the Digital Age and currently writes about posthuman poetics, glitchy machines, and speculative media worlds.

Tag: academia

  • New research published: Inscribing and encoding

    A long-gestating piece of research has just been published in the Global Media Journal — Australian Edition. This piece emerged from a day of field-work conducted with the Posthumanities Reading Group from RMIT, under the stewardship of the late and much-missed Adrian Miles. The day was held in February 2017 at Pound Bend on the Yarra River, about 45 minutes north-east of the Melbourne CBD. Almost exactly a year later, on 5 February 2018, Adrian passed away while riding his beloved bike in the bush near Kinglake.

    This piece is dedicated to Adrian, and his short but enormous influence on my thinking and approach to academic life.

    You can read the piece here.


    Abstract

    How does it feel to make media? What goes through the filmmaker’s head right at the moment they hit ‘record’? What are the processes – mechanical, digital, physical, psychological – that occur before, during, and after the recording of sound or vision? Building on the recent embodied turn in screen production research and taking inspiration from core ideas of the new materialists, this experimental piece unfolds in two parts.

    Part one takes the form of stream of consciousness writing in retort to quotes or ideas from new materialist thinkers like Andrew Pickering and Kathleen Stewart, and a reflection on one’s own media practice. The result of this is two recipes for a kind of embodied making, which were then put into practice with two pieces of media, The Yarra & I and Pieces of Pound Bend. An extended second part connects reflections on this practice to writing on cinema and time, primarily Gilles Deleuze and Jean Epstein.

    This work examines where the maker fits in the nebula of media texts, tools, and technologies. What is the point of making media or – perhaps more aptly – when?


    Here’s the reading list I put together to remember Adrian, and my colleague Adrian Danks’ touching tribute.

  • one day more

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    I shared on the weekend that I had been working, and how rare that was (working on the weekend, not working full stop!). I’m now further into that particular grind, working through Day 8 of a nine-day stretch.

    I’m very much feeling it now. At times through a stretch like this you’re in the zone, you find your flow. But then there are times like now, when you feel like there’s nothing left.

    It’s like a day after a rough night’s sleep; but just lengthened over a period of days.

    One more day tomorrow – a full day, but away from the office. A time to discuss, to reflect, to plan.

    Then two perfectly-planned research days, to get my head back into reading and thinking mode.

    Then a long weekend.

    I can do this.

  • Come sail away

    It’s been over a year since I worked on the weekend. Since some pretty severe burnout I’ve had to make sure that weekends and most weeknights are kept free, though sometimes the latter is unavoidable.

    But this weekend, between a full and crazy week last week, and an equally insane three days from tomorrow (Monday), I literally ran out of time to get everything done.

    I would now never advocate for weekend work, but occasionally – very occasionally – the grind can have its satisfactions. Particularly if it’s a typically grey and awful Melbourne day outside.

    The task I ran out of time to complete was a paper I’m delivering at a symposium tomorrow. To be fair, I think I’d be forgiven for running out of time, given I organised the symposium, but I really did want something semi-decent to present.

    I’ve basically kicked off conference season myself; after this talk, I have another 2-3 to prepare for late November/early December. But I think I’m being strategic here: with 4ish papers done, I can then work to convert one or two into full articles/chapters next year.

    The RMS Publish or Perish sails on…

  • Yes we POPCAANZ

    Lambton Harbour and Oriental Bay as seen from the summit of Mount Victoria (pic by me).
    Lambton Harbour and Oriental Bay as seen from the summit of Mount Victoria (pic by me).

    I’m sitting in an apartment, outside which the manic Wellington weather swirls and swishes. After a glorious week, with crisp, sunny days (see above), the clouds have rolled in, and it’s bucketing down.

    However, today’s disposition is not dampening mine, with the memories of a second, successful POPCAANZ fresh in my mind. My paper on the cinematic frame was received well, with lots of excitement that I’m developing more research and teaching on the same topic. But that was out of the way early on, and I was able to settle in and see a bunch of other, vastly more intelligent people talk about their passions.

    There was a Baudrillardian deconstruction of Wes Anderson which was so thorough that by the end he did not exist. Another highlight was a refiguring of the narrative of Toy Story according to an object-oriented ontology, and a materiality of trash. Not to mention a textual analysis of Agony Aunt columns in the New Zealand Women’s Weekly. And then an introduction to the Leathermen culture of rural New Zealand.

    And that’s barely scratching the surface (and I only mentioned two papers in a very strong film stream). Food was great, the location (Massey University) very cosy and accommodating, and the company a lively combination of old friends and new contacts.

    There was very exciting news, too, that POPCAANZ will now be opening up to our Asian neighbours, and revamping the associated journal accordingly.

    Bring on Sydney next year!

  • Teaching film and media in a neoliberal bubble

    First point: I am a teacher. This is a role that bestows on me power and control over others.

    Second point: I am white, male, heterosexual, educated, and middle-class. This is an identity that inscribes within me a particular world-view.

    Third point: I teach film and media studies. This is a discipline which is inherently linked to the neoliberalist agendas of globalisation, consumer culture, and corporate-political power.

    * * *

    Neoliberalism fosters a complicit and compliant consumer citizenry, and much of this is based on the marginalising of non-dominant voices in the public sphere, and the exploitation of the owners of those voices to perpetuate power structures and the ‘global’ marketplace (Gorski 2008, p. 518). The goal of most protocols or policies concerning multicultural or intercultural education seems to be the furthering of these neoliberalist agenda, at least according to Gorski (p. 519). The other alarming characteristic of most attempts at cultural inclusiveness within education is a lack of awareness of the wider sociopolitical context; in essence, an ignorance of the wider world.

    As educators, both Gorski and Holladay (2013) have worked through a neoliberalist understanding of what multicultural education should be. For Gorski, this involves ‘the facilitation of intercultural dialogue, an appreciation for diversity, and cultural exchange’ (p. 520). For Holladay, it means working with elementary school children through a limited perspective on historical events. Both of these educators, too, have been complicit in allowing the trivialisation of important events to occur on their watch — case in point: Taco Night.

    To reject neoliberalist agenda in intercultural education, Gorski suggests that it is not learning activities or lesson plans that need to change. Rather, an entire intellectual and philosophical shift must occur within the educator. Part of this is acknowledging that ‘cultural awareness is not enough’ and that ignorance of the sociopolitical context further marginalises those already non-dominant voices in the learning space. Holladay takes it further: by infusing multiple perspectives into learning, what the educator is doing is converting ‘consumers’ (the neoliberalist student-subject) into socially-aware critical thinkers. The biggest problem facing both novel paradigms of education, from my reading, is that critical thinking is not seen by the neoliberalist conspiracy as a marketable skill.

    As a media teacher, I am aware that the industry into which I am sending my students is competitive and is also linked to very old structures of power. However, I see that I have a responsibility to ensure that all my students can survive in this world. Part of this is ensuring that they are aware of those structures of power, and a further part is demonstrating ways in which those monolithic frameworks have been defied, or even ignored. The wonderful thing about film and media studies currently, is that many who were long silent now have access to production and distribution technologies. I have a responsibility to ensure all of my students can harness those technologies themselves.

    * * *

    First point: I am a teacher. I have a responsibility to ensure that all my students feel valued, and to offer and encourage them all to share their voices.

    Second point: I am white, male, heterosexual, educated, and middle-class. This does not absolve me from the responsibility identified in the first point; it should, in fact, inspire me to work harder to ensure equality in the learning environment.

    Third point: I teach film and media studies. This is a discipline which has the power to break down perceived social barriers, to allow non-dominant voices to express their views, and to widen a student’s perspective on the world they share.

    * * *

    References

    Gorski, PC 2008, ‘Good intentions are not enough: a decolonizing intercultural education’, Intercultural Education, vol. 19, no. 6, pp. 515-525.

    Holladay, J 2013, ‘Multiculturalism in the modern world: Jen Holladay at TEDxDenverTeachers’, TEDx Talks, <https://www.youtube.com/watch?v=U5rKgDOs33U>. [6 May 2015].

    [this text was submitted as an assessment for a professional development course I’m completing on cultural inclusiveness in teaching]