The Clockwork Penguin

Daniel Binns is a media theorist and filmmaker tinkering with the weird edges of technology, storytelling, and screen culture. He is the author of Material Media-Making in the Digital Age and currently writes about posthuman poetics, glitchy machines, and speculative media worlds.

Tag: annihilation

  • dust to dust

    I’ve attended three memorial services this year. March isn’t over yet.

    Annihilation is one of my favourite books, and I can’t tell you why. It’s something about the way humanity is reduced to just its connection with the world around us, and done so simply, and only in words. Names, backgrounds, the trimmings with which we identify ourselves. None of it matters.

    Today’s memorial service was secular. It was a fitting and touching reminder of how life is about family, it’s about vitality, about making the most of every day. But it was primarily about the connections we form with each other, be they familial, be they long-lasting, be they fleeting.

    There is no real rhyme or reason to this post. Sometimes you are a member of the expedition, working your way through the unknown; sometimes you are Area X itself, all-knowing, but also uncaring. Sometimes you want answers; sometimes you want to just give in, let go, and be.

Her language contains elements from Aeolic vernacular and poetic tradition, with traces of epic vocabulary familiar to readers of Homer. She has the ability to judge critically her own ecstasies and grief, and her emotions lose nothing of their force by being recollected in tranquillity.

Marble statue of Sappho on side profile.

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