The Clockwork Penguin

Daniel Binns is a media theorist and filmmaker tinkering with the weird edges of technology, storytelling, and screen culture. He is the author of Material Media-Making in the Digital Age and currently writes about posthuman poetics, glitchy machines, and speculative media worlds.

Tag: hobbies

  • Operation Tech Revival, Part 1

    Image generated by Leonardo AI, prompt by me.

    Part 1: A little history, a soupçon of memories

    I had planned this week to post something very different, but in light of the way my week has panned out, I’m feeling all of the following much more keenly, particularly in the wake of some of my rants about social media and platforms and such like.
     
    My primary computer, for nearly ten years, was a 2014 Mac with Retina display. It was a beautiful beast, and served me very well, particularly through lockdowns when there were some issues getting an external monitor for my work laptop. Come early 2023, though, it was showing signs of wear and tear. I didn’t really want to fork out for a new machine when I had a perfectly good laptop from work, so I let it go out to pasture (the Apple Store).
     
    After some time off work last year, though, I wanted to put some effort into separating personal files from my work stuff. Up until this point, I had used a cloud service for everything, without a backup (shock horror). I do realise that somehow physically separating out machines and hard drives for work and non-work is fairly redundant in this age of clouds, but doing the actual labour of downloading from the cloud service, then separating out folders onto hard drives, machines, then backing everything up appropriately, was not a little therapeutic.
     
    Having carved out the workspace on the newer Macbook, I was left wondering what to do for a personal machine. There is always, obviously, the desire to rush out and drop a great deal of money on the latest model, but for various reasons, this is not currently a possibility for me. Aside from that, I’m surrounded by old tech, left in cupboards, not yet eBayed or traded in or taken away for recycling. I am aware and conscious enough of the horrific impact of e-waste, and with my recent interests in a smaller, more intimate, cosy, sustainable internet, I thought that maybe this would be a chance to put my money where my mouth is. If you can’t be with the sleek new tech you love, honey, love the slightly chunkier, dustier tech you’re with.
     
    Plus, I’ve always loved the idea of tinkering with tech, even if I’ve never actually done anything like this properly. My plans aren’t unachievable nor overly ambitious; I have two computers, broadly defined, that I hope to revive and use in tandem as a kind of compound personal machine. The first of these is a Raspberry Pi 3B+, the second a mid-late 2011 model Macbook Pro: the last Macbook I owned that wasn’t a work device.
     
    Come along with me, won’t you, on this journey of learning and self-discovery? Coming tomorrow (or at least in the coming days)… Part 2: Mmm, Pi.

  • r and/or r

    Photo by EVG Kowalievska.

    This was totally going to be ‘the place’ to keep up with my goings-on while I was away from work. Or, more likely, a place for myself to note down anything of interest while on leave. As it turns out, leave thus far has mostly been about resting and recovering.

    While not keeping up with the latest in creative tech news, I’ve watched the entirety of Breaking Bad (yes, for the first time), as well as finishing The Final Empire and Cibola Burn. I replayed and re-completed Grand Theft Auto V. I’ve also taken myself game arcade-ing and ten-pin bowling. For someone who used to bowl league in high school, the latter was a painful return (Wii Sports bowling this ain’t).

    For the rest of my time off, I’m planning to watch a few movies, attempt to finish The Witcher III, and maybe do some media things that aren’t 10+ years old. I’m currently reading Owls of the Eastern Ice, which is proving a pleasant non-fiction change from my usual fare. We’re also popping away for a week to rest and recover even harder.

Her language contains elements from Aeolic vernacular and poetic tradition, with traces of epic vocabulary familiar to readers of Homer. She has the ability to judge critically her own ecstasies and grief, and her emotions lose nothing of their force by being recollected in tranquillity.

Marble statue of Sappho on side profile.

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