The Clockwork Penguin

Daniel Binns is a media theorist and filmmaker tinkering with the weird edges of technology, storytelling, and screen culture. He is the author of Material Media-Making in the Digital Age and currently writes about posthuman poetics, glitchy machines, and speculative media worlds.

Tag: James Spader’s facial tics

  • I jumped a shark and I liked it

    kcjLqPg2QJWsPnKkNXct_avengers-age-of-ultron-group-banner

    I really liked this film, and it’s really hard to articulate why. I’d seen all the criticism, read all the accounts of the demise of storytelling, character development, and good taste: hell, even the blaming of this movie for the single-handed demolition of the popcorn movie.

    Somehow, though, five minutes in, I forgot all that. I didn’t find the story hard to follow. I didn’t find it particularly dumb (and certainly not intellectual). I enjoyed all the characters, including Ultron. The Romanov/Banner subplot was oddly sweet. Thor was, well, adorable. Hulk was hulkey. And yep, it still hit all the touchstones (pardon the pun) for the next few movies and, yep, I’ll probably go see them too.

    Of course it’s not believable. Of course it’s not pristine storytelling. It’s got lots of stupid action in it for no real reason. There’s no time for real character development.

    Reason? It’s a comic book movie. Go in with sub-zero expectations, like I did, and you’ll have a ball.

    P.S. Fun fact: beyond this blog post, I have no desire whatsoever to write about Age of Ultron, certainly not from any academic perspective. Heh, maybe that’s why I liked it.

Her language contains elements from Aeolic vernacular and poetic tradition, with traces of epic vocabulary familiar to readers of Homer. She has the ability to judge critically her own ecstasies and grief, and her emotions lose nothing of their force by being recollected in tranquillity.

Marble statue of Sappho on side profile.

Designed with WordPress