The Clockwork Penguin

Daniel Binns is a media theorist and filmmaker tinkering with the weird edges of technology, storytelling, and screen culture. He is the author of Material Media-Making in the Digital Age and currently writes about posthuman poetics, glitchy machines, and speculative media worlds.

Tag: research

  • Material Media-Making is out (digitally) now

    The digital (PDF/EPUB) version of my new book Material Media-Making in the Digital Age is available now! Head to the Intellect site to purchase (or tell your institution’s library to do so!).

    Exciting!

    The cover of Material Media-Making in the Digital Age.

    From the blurb:

    “How might one craft a personal media-making practice that is thoughtful and considerate of the tools and materials at one’s disposal? This is the core question of this original new book. Exploring a number of media-making tools and processes like drones and vlogging, as well as thinking through time, editing, sound, and the stream, Binns looks out over the current media landscape in order to understand his own media practice.”

  • Come sail away

    It’s been over a year since I worked on the weekend. Since some pretty severe burnout I’ve had to make sure that weekends and most weeknights are kept free, though sometimes the latter is unavoidable.

    But this weekend, between a full and crazy week last week, and an equally insane three days from tomorrow (Monday), I literally ran out of time to get everything done.

    I would now never advocate for weekend work, but occasionally – very occasionally – the grind can have its satisfactions. Particularly if it’s a typically grey and awful Melbourne day outside.

    The task I ran out of time to complete was a paper I’m delivering at a symposium tomorrow. To be fair, I think I’d be forgiven for running out of time, given I organised the symposium, but I really did want something semi-decent to present.

    I’ve basically kicked off conference season myself; after this talk, I have another 2-3 to prepare for late November/early December. But I think I’m being strategic here: with 4ish papers done, I can then work to convert one or two into full articles/chapters next year.

    The RMS Publish or Perish sails on…

  • Inhuman Screens

    40007774_10156060429249086_3856612823417225216_o.jpg

    I am thrilled to announce that I’ve been invited to present at the inaugural Inhuman Screens conference, convened in conjunction with Sydney Underground Film Festival.

    I’ll be presenting my research on drones and cinematography. This work considers the embodied experience of flying a drone, and some of the philosophical/existential questions that experience raises, as well as how drone shots might be brought into the language of film distinctly from other aerial footage.

    All speakers, keynotes and primary stream, comprise many of my film theory faves, so I look forward mostly to getting my presentation over and done with, and simply basking in the awesome to follow.

    Tickets available at the Inhuman Screens website.

  • scopeX

    video experiment…

    [youtube https://www.youtube.com/watch?v=KD79cCD9f1Q]

    part of research, I guess?

    It’s a process.

     

  • Compass points

    I’ve done some nature this week. I’d forgotten how much I enjoyed it.

    Nature the first was a walk in an inner-city park on Tuesday. Nowhere to be, nothing really in mind to see: just walking, looking, feeling.

    Nature the second was some experimental filming done as part of a research day in north-east Melbourne. The hastily-cut-together results of this experimentation are included below. More to follow in the coming weeks. Nice to get something in the can, no matter how out-there.

    [vimeo 203390674 w=640 h=360]

Her language contains elements from Aeolic vernacular and poetic tradition, with traces of epic vocabulary familiar to readers of Homer. She has the ability to judge critically her own ecstasies and grief, and her emotions lose nothing of their force by being recollected in tranquillity.

Marble statue of Sappho on side profile.

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