Tag: X

• Swings X Roundabouts

  

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  Originally I was going to post some condensed form of this to socials, but I thought some may be interested in an extended ramble and/or the workflows involved.

  I deleted my Twitter last year in a mild fit of ethical superiority. I’d been on the platform some 14 years at that point. At first, I delighted in the novelty of microblogging; short little bursts of thought that people could read through, respond to, re-post themselves. But then, as is now de rigueur for all platforms, things changed. Even before Elon took over, the app started tweaking little bits and pieces, changing the way information was presented, prioritised, and delivered. Come the mid-2010s, it just wasn’t the same any more; by that stage, though, so many people that I knew and/or needed to know of, were using the app. It became something I checked weekly, like all my other social network pages, some blogs, etc. One more feed.

  Elon’s takeover, though, seemed like a fitting exit point. Many others felt the same way. I kind of rushed the breakaway, though; I did download all my data, thank the maker, but in terms of flagging the move with people who followed me for various reasons (personal, professional, tracking related declines, etc), I just… didn’t. I set up a Mastodon on the PKM instance, because that was a nice community that I’d found myself in as a positive byproduct of a rather all-encompassing obsession with productivity, life organisation, and information retention/recycling. I’m still on the ‘don (or Masta, per your preference), though I’ve shifted to the main mastodon.social instance to make automation and re-posting easier.

  Anyway, to cut to the quick, I rebooted the ol’ Twitter/X/Elon.com account in the last couple of months just to keep track of people who’ve not yet shifted elsewhere.¹ What I didn’t manage to do before I shut it down last year, though, was to export/keep record of those 700 odd people I was following, nor did I just transfer them over to Mastodon, which tools like Movetodon allow you to do pretty seamlessly.

  Thankfully, buried in the data export was a JavaScript file called “following.js”, which contained IDs and URLs for all the Twitter accounts I’d originally followed. Bear in mind, though, not the Twitter usernames, e.g. @NY152 or @Shopgirl, but rather the ID number that Twitter creates as a stable reference for each user. The user IDs and URLs were also surrounded by all the JavaScript guff² used to display the info in a readable form:

  {
      "following": {
          "accountId": "123456",
          "userLink": "https://twitter.com/intent/user?user_id=123456"
      }
  },
  {
      "following": {
          "accountId": "789012",
          "userLink": "https://twitter.com/intent/user?user_id=789012"
      }
  },
  {
      "following": {
          "accountId": "345678",
          "userLink": "https://twitter.com/intent/user?user_id=345678"
      }
  },

  I have a rudimentary grasp of very basic Python, but JavaScript remains beyond me, so I used the wonderful TextBuddy to remove everything but the URLs, then saved this as a text file. Though string manipulation is a wonderful process, unfortunately the checking of each account remains up to me.

  So whenever I have a spare hour, I’ve been sitting down at the computer and copying and pasting a bunch of URLs into the “Open Multiple URLs” Chrome extension. It’s tedious work, obviously. But it’s been really interesting to see a, who is inactive on Twitter and for how long they’ve been so; b, who’s switched to private since Elon or before; c, who’s moved to Masta or elsewhere; and d, who’s still active and how so. It’s also just a great chance to filter out all the rubbish accounts I followed over those fourteen years!

  In general terms, anyone with any level of tech knowledge or broad online following has shifted almost entirely to different services, maybe leaving up a link or a pinned post to catch any stray visitors. Probably around 40-50% of them are still active in some way; be that sharing work or thoughts with an established audience, or staying in touch with communities.³ Several of the URLs have hit 404s, which means that user has just deleted their X account entirely; good for you, even though I have no idea who you are/were!

  As I develop my thoughts around platforms, algorithms, culture, and so on, reflecting on my own platform use, tech setup, and engagements with data is becoming more than just a hobby; it’s forming a core part of the process. I’ve always struggled to rationalise the counting of my creative work and my personal interests/hobbies with my academic interests. But I think that from now on I just have to accept that there will always be overlap, particularly if I’m to do anything with these ideas, be it write a screenplay or a book, a bunch of blog posts, or anything academical.⁴

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  Notes

  1. I also really like that I locked down the @binnsy username before anyone else got to it; there are plenty of Binnses even just in my family who use that nickname! ↩︎
  2. Guff is the technical term, obviously. ↩︎
  3. This is obviously prevalent in my field of academia, where so many supportive communities have been established over long periods of time, e.g. #PhDchat etc etc. I realised after I deleted my account that even though I don’t participate anywhere near like I used to, these are such valuable spaces when I do log on, and obviously for countless others. You don’t and can’t just throw that shit away. ↩︎
  4. You heard me. ↩︎

• Push the button for a sweet treat

  I had grand plans of posting something about Godzilla today, but that will have to wait for these delightful rats. These tiny furry folx learned to associate pushing a little button with getting a sugar treat. As time progressed, though, they ended up just pushing the button for fun.

  The results are about as delightful as you’d expect.

  

  

  The project was led by French photographer Augustin Lignier, whose work explores the technography and performativity of photography. I came across the work due to the mighty Kottke, who quotes a New York Times piece where Lignier considers that the rats’ continued button-mashing as a neat analog for our addiction to social media.

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  As platforms morph, shrink, converge, collapse all over the internet, one begins to wonder what the web of the imminent future might look like. While I did mention grassroots movements and community-run services like Neocities in my last post, the network effects that platforms like Substack, X, hell, even WordPress right here, can offer, are often more tempting than a cutesy throwback. That is to say nothing of the ease with which said platforms integrate with other services to maximise attention on their users.

  Substack and X are feeling the squeeze of the real world to greater and lesser degrees; the former as a safe space for Nazis, the latter as a haven for AI-generated deepfakes. But where one platform collapses, another will happily take its place, unless we all decide to opt out together.

  The internet of the future will be several interweaved different platforms, modes, nodes, devices, personalities, and communities. In a way it has always been so, but with its sheer ubiquity, the way it layers over and enfolds so many aspects of existence, thinking ‘the internet’ (or even ‘the Internet’, as autocorrect seemed to cling to forever) as a monolith is now a waste of time.