The Clockwork Penguin

Daniel Binns is a media theorist and filmmaker tinkering with the weird edges of technology, storytelling, and screen culture. He is the author of Material Media-Making in the Digital Age and currently writes about posthuman poetics, glitchy machines, and speculative media worlds.

Welles and the frame

The Trial, d. Orson Welles, 1962.
The Trial, d. Orson Welles, 1962.

Suffice to say that Orson Welles taught me all I ever needed to know about framing*.

Happy 100th, old friend.

* for ‘framing’, read ‘all of cinema’.


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