The Clockwork Penguin

Daniel Binns is a media theorist and filmmaker tinkering with the weird edges of technology, storytelling, and screen culture. He is the author of Material Media-Making in the Digital Age and currently writes about posthuman poetics, glitchy machines, and speculative media worlds.

Writing

I haven’t written for a very long time.

That seems a strange thing to say, given that I bill myself as a ‘writer, producer, and researcher’. But it’s true. In terms of actually setting mind to page without the baggage of scholarly rigour, it’s been an age.

Given I now work for an institution that lauds, encourages, creative practice as research, I’m wondering if there’s an element of writing that needs a punch in the face. Or — maybe I just need to write, and figure the rest out afterwards.

I surround myself with people who I know have outstanding skills in their respective fields, whether living or dead. But I’ve not opened a screenwriting program in some three or four years. There’s something there.

There’s always something there.

I just have to go find it, capture it, and ensure I can type it out in Courier New 12pt.


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