The Clockwork Penguin

Daniel Binns is a media theorist and filmmaker tinkering with the weird edges of technology, storytelling, and screen culture. He is the author of Material Media-Making in the Digital Age and currently writes about posthuman poetics, glitchy machines, and speculative media worlds.

Author: dan

  • Lockdown ramblings

    Sun streams in through the window. I’ve left the light off today: for some reason the sunlight is enough. The driveway is being dug up, so the door to my study is closed, and my noise-cancelling headphones are nestled over my ears. In my head, for once, things are relatively calm.

    I’m working through a project that necessitates deep thought. Deep thought is hard at the moment. I suppose that’s why I opened up this blog post: something simple, something gentle, to clear out the cobwebs.

    Deep thought? On the one hand, I mean deep theoretical ruminations, the kind for which academics are stereotyped. But on the other, it’s strategic thought. How will this fit my narrative? Where can I publish? Can this be put up for funding?

    This strategy is something I need to do more, anyway, but particularly at the moment, when academic work is increasingly precarious. More so than ever, one feels the need to be not just productive, but scheming, pragmatic, to think laterally about one’s place in a discipline, an institution, the world.

    It ruins everything. Takes away the magic of things. I remember posting here when I first got this job. I mentioned an overwhelming sense of relief, that someone finally noticed that I could fit somewhere, that I could bring something to the table.

    Things change.

    But I remain happy where I am, and that’s something. I’m still tired, but this year, in spite of the world burning, I feel like I’m getting somewhere.

  • The Debrief: that’s a wrap!

    cast and crew of The Debrief day 2!

    That’s a wrap on The Debrief! Thanks to the incredible cast and crew. Super fun to shoot something that is truly single location, in real-time. Filmed theatre FTW! Now into the edit…

  • The Debrief

    Day 1 down.

  • one day more

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    I shared on the weekend that I had been working, and how rare that was (working on the weekend, not working full stop!). I’m now further into that particular grind, working through Day 8 of a nine-day stretch.

    I’m very much feeling it now. At times through a stretch like this you’re in the zone, you find your flow. But then there are times like now, when you feel like there’s nothing left.

    It’s like a day after a rough night’s sleep; but just lengthened over a period of days.

    One more day tomorrow – a full day, but away from the office. A time to discuss, to reflect, to plan.

    Then two perfectly-planned research days, to get my head back into reading and thinking mode.

    Then a long weekend.

    I can do this.

  • Come sail away

    It’s been over a year since I worked on the weekend. Since some pretty severe burnout I’ve had to make sure that weekends and most weeknights are kept free, though sometimes the latter is unavoidable.

    But this weekend, between a full and crazy week last week, and an equally insane three days from tomorrow (Monday), I literally ran out of time to get everything done.

    I would now never advocate for weekend work, but occasionally – very occasionally – the grind can have its satisfactions. Particularly if it’s a typically grey and awful Melbourne day outside.

    The task I ran out of time to complete was a paper I’m delivering at a symposium tomorrow. To be fair, I think I’d be forgiven for running out of time, given I organised the symposium, but I really did want something semi-decent to present.

    I’ve basically kicked off conference season myself; after this talk, I have another 2-3 to prepare for late November/early December. But I think I’m being strategic here: with 4ish papers done, I can then work to convert one or two into full articles/chapters next year.

    The RMS Publish or Perish sails on…